Portal:Rock music

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The Rock Music Portal

Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a ⁴
₄ time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.

Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed album era in the music industry for the next several decades. By the late 1960s "classic rock" period, a number of distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, southern rock, raga rock, and jazz rock, which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene. New genres that emerged included progressive rock, which extended artistic elements, and glam rock, which highlighted showmanship and visual style. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and eventually alternative rock.

From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged, including pop-punk, electronic rock, rap rock, and rap metal. Some movements were conscious attempts to revisit rock's history, including the garage rock/post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. (Full article...)

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The following are images from various rock music-related articles on Wikipedia.

Image 1Chuck Berry in 1957 (from Rock and roll)
Image 2Baker, Bruce and Clapton of Cream, whose blues rock improvisation was a major factor in the development of the genre (from Hard rock)
Image 3Elvis Presley in a promotion shot for Jailhouse Rock in 1957 (from Rock and roll)
Image 4Drum notation for a backbeat (from Hard rock)
Image 5Poison, seen here in 2008, were among the most successful acts of the 1980s glam metal era. (from Hard rock)
Image 6Little Richard in 1957 (from Rock and roll)
Image 7Big Joe Turner and Pete Johnson's record "Roll 'Em Pete" is regarded as a precursor to rock and roll. (from Rock and roll)
Image 8Aerosmith performing at Quilmes Rock in Buenos Aires, Argentina on April 15, 2007 (from Hard rock)
Image 9Led Zeppelin live at Chicago Stadium, January 1975 (from Hard rock)
Image 10Wolfmother, 2007 (from Hard rock)
Image 11Nirvana were at the forefront of the 1990s grunge era. (from Hard rock)
Image 12Kiss onstage in Boston in 2004 (from Hard rock)
Image 13Foo Fighters performing an acoustic show in 2007 (from Hard rock)
Image 14"There's No Romance in Rock and Roll" made the cover of True Life Romance in 1956. (from Rock and roll)
Image 15Sign commemorating the role of Alan Freed and Cleveland, Ohio, in the origins of rock and roll (from Rock and roll)
Image 16Buddy Holly and his band, the Crickets (from Rock and roll)
Image 17Tommy Steele, one of the first British rock and rollers, performing in Stockholm in 1957 (from Rock and roll)
Image 18Golden Earring receives a gold record in 1970. (from Hard rock)
Image 19Bill Haley and his Comets performing in the 1954 Universal International film Round Up of Rhythm (from Rock and roll)
Image 20Original member Izzy Stradlin' on stage with Guns N' Roses in 2006 (from Hard rock)
Image 21The Who on stage in 1975 (from Hard rock)
Image 22Rush on stage in Milan, Italy, 2004 (from Hard rock)

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Wilco is an American rock band based in Chicago. The band was formed in 1994 by the remaining members of alternative country group Uncle Tupelo after singer Jay Farrar's departure. Wilco's lineup changed frequently during its first decade, with only singer Jeff Tweedy and bassist John Stirratt remaining from the original incarnation. Since early 2004 the lineup has been unchanged, consisting of Tweedy, Stirratt, guitarist Nels Cline, multi-instrumentalist Pat Sansone, keyboard player Mikael Jorgensen, and drummer Glenn Kotche. Wilco has released thirteen studio albums, a live double album, and four collaborations: three with Billy Bragg and one with the Minus 5.

Wilco's music has been inspired by a wide variety of artists and styles including Bill Fay, the Beatles, and Television; in turn the band has influenced music by many modern alternative rock acts. The band continued in the alternative country style of Uncle Tupelo on its debut album A.M. (1995), but has since introduced more experimental aspects to their music, including elements of alternative rock and classic pop. Wilco's musical style has evolved from a 1990s country rock sound to a current "eclectic indie rock collective that touches on many eras and genres".

Wilco received media attention for their fourth album, Yankee Hotel Foxtrot (2001), and the controversy surrounding it. After the recording sessions were complete, Reprise Records rejected the album and dismissed Wilco from the label. As part of a buy-out deal, Reprise gave Wilco the rights to the album for free. After streaming Foxtrot on its website, Wilco sold the album to Nonesuch Records in 2002. Both record labels are subsidiaries of Warner Music Group, leading a critic to say the album showed "how screwed up the music business is in the early twenty-first century." The event was immortalized in the documentary I Am Trying to Break Your Heart; director Sam Jones followed the band as they wrote and produced the record. Yankee Hotel Foxtrot is Wilco's most successful release to date, selling over 670,000 copies. Wilco won two Grammy Awards for their fifth studio album, 2004's A Ghost Is Born, including Best Alternative Music Album. Wilco released their thirteenth studio album, Cousin, in September 2023. (Full article...)

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Laurence Joseph Mullen Jr. (/ˈmʌlən/; born 31 October 1961) is an Irish musician, best known as the drummer and co-founder of the rock band U2. A member of the band since its inception, he has recorded 15 studio albums with U2. Mullen's distinctive, almost military drumming style developed from his playing martial beats in childhood marching bands.

Mullen was born in Dublin, where he attended Mount Temple Comprehensive School. In 1976, he co-founded U2 after posting a message on the school's notice board in search of musicians. Mullen has worked on numerous side projects during his career. In 1990, he produced the Ireland national football team's song "Put 'Em Under Pressure" for the 1990 FIFA World Cup. In 1996, he worked with U2 bandmate Adam Clayton on a dance re-recording of the "Theme from Mission: Impossible". He has also collaborated with musicians such as Maria McKee, Nanci Griffith, Emmylou Harris, and Alice Cooper. Mullen has sporadically acted in films, most notably in Man on the Train (2011) and A Thousand Times Good Night (2013).

Mullen has received 22 Grammy Awards and has been inducted into the Rock and Roll Hall of Fame. In 2016, Rolling Stone ranked Mullen the 96th-greatest drummer of all time. (Full article...)

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Blonde on Blonde is the seventh studio album by the American singer-songwriter Bob Dylan, released as a double album on June 20, 1966, by Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—"One of Us Must Know (Sooner or Later)". At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded.

Blonde on Blonde completed the trilogy of rock albums that Dylan recorded in 1965 and 1966, starting with Bringing It All Back Home and Highway 61 Revisited (both 1965). Critics often rank Blonde on Blonde as one of the greatest albums of all time. Combining the expertise of Nashville session musicians with a modernist literary sensibility, the album's songs have been described as operating on a grand scale musically, while featuring lyrics one critic called "a unique mixture of the visionary and the colloquial". It was one of the first double albums in rock music.

The album peaked at number nine on the Billboard Top LPs chart in the US, where it eventually was certified double platinum, and it reached number three in the UK. Blonde on Blonde spawned two singles that were top-twenty hits in the US: "Rainy Day Women #12 & 35" and "I Want You". Two additional songs—"Just Like a Woman" and "Visions of Johanna"—have been named as among Dylan's greatest compositions and were featured in Rolling Stones "The 500 Greatest Songs of All Time" list in 2003. In 1999, the album was inducted into the Grammy Hall of Fame, and was ranked number 38 in Rolling Stone's list of the "500 Greatest Albums of All Time" in 2020. ('Full article...)

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"Objects in the Rear View Mirror May Appear Closer Than They Are" is a song composed and written by Jim Steinman, and recorded by Meat Loaf. The song was released in 1994 as the third single from the album Bat Out of Hell II: Back into Hell and it reached number 38 on US's Billboard Hot 100, and number 26 in the UK Top 40. With its chart success, this song became the hit with the longest un-bracketed title at fifty-two characters . The title is derived from the safety warning on car side mirrors in the US, "Objects in mirror are closer than they appear".

Parts of the melody were adapted from Steinman's earlier tune "Surf's Up", which appears on Steinman's solo album Bad for Good. Steinman later reused the melody, with new lyrics by Michael Kunze, for "Die Unstillbare Gier", a song in the Tanz der Vampire productions, and for "Confession of a Vampire" in the ill-fated US version (Dance of the Vampires). (Full article...)

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Credit: Carlos Delgado CC-BY-SA

Paweł Mąciwoda, bassist of German rock band Scorpions, in Madrid, Spain in 2014.

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Did you know (auto-generated)

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... that the Diaspora Yeshiva Band infused rock and bluegrass with Jewish lyrics, creating a music style it called "Hasidic rock" or "Country and Eastern"?

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Post-Britpop is an alternative rock subgenre and is the period in the late 1990s and early 2000s, following Britpop, when the media were identifying a "new generation" or "second wave" of guitar bands influenced by acts like Oasis and Blur, but with less overt British concerns in their lyrics and making more use of American rock and indie influences, as well as experimental music. Bands in the post-Britpop era that had been established acts, but gained greater prominence after the decline of Britpop, such as Radiohead and the Verve, and new acts such as Travis, Keane, Snow Patrol, Stereophonics, Feeder, and particularly Coldplay, achieved much wider international success than most of the Britpop groups that had preceded them, and were some of the most commercially successful acts of the late 1990s and early 2000s. (Full article...)